Software
“I strummed on the old acoustic, waiting for the computer to unfreeze. When I put it down, the machine sang back to me: a digital lyre bird performing the symphony of its own vibrant forest.”
The Witness
NB-GTR
- Aggressive Stereo Guitars
- 80MB, 15 Round Robins
- Outputs a DI Signal for Reamping
NB-BS
- Aggressive Picked Bass
- 30MB, 15 Round Robins
- Outputs a DI Signal for Reamping
Support Development
NEATBrain Instruments are free, for everyone, forever.
If you find them valuable and can afford to do so, please consider supporting future instrument development by subscribing to one of the Patreon Tiers.
Built for Rhapsody
NEATBrain Instruments are an extension of the free Rhapsody Player, available for VST & AU for Windows, MacOS & Linux.
Rhapsody is fast, stable, open source and supported by all major DAWs.
Installation
- Download and extract the .ZIP Archive, place both .LWZ files in a single chosen directory (keep them both in the same folder, do NOT extract their contents).
- Download & Install the free Rhapsody Player (VST & AU).
- Open Rhapsody (sign-in optional), click “Add Product” -> “Manual Install“.
- Click the Folder Button -> Navigate to one of the downloaded .LWZ files.
- Choose a location to install the Samples -> Click “Install“.
System Requirements
- Digital Audio Workstation with VST or AU support (AAX Not Supported).
- Rhapsody Player (Free)
- Up to 200MB for Download & HDD Space per Instrument
- Modern Intel/AMD/Apple Silicon Native Processor
- 8GB System RAM
Redefining Virtual Instruments
The NEATBrain engine uses a hybrid synthesis technique to accurately model real instruments.
First, the Reassigned Bandwidth-Enhanced Additive Sound Model is used to extract the building blocks of the original signal. These are repitched across the keyrange without artifacts, then truncated to form digital waveguides.
These waveguides are loaded into the “Memory” (the actual playable instrument), and looped with a single-cycle sampler. Finally, the Residue (noisy signal) is played alongside these waveguides to accurately reconstruct the original sound. This technique greatly reduces memory usage while still allowing features found in traditional Sample Libraries, such as Round Robin.
Because the primary elements are separated, the end-user can sculpt the sound in a variety of ways, including adding and adjusting Tone Profiles, as well as modifying the “expressiveness” of the instrument through the use of various Amplitude and Pitch Modulators.